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She clapped her hands. “Oh, I’m glad you like fairies, too. Do you know about Bagdad and Semiramide and Good King Arthur and Ivanhoe, and all the other beautiful things in the world?” she asked, breathlessly. “This peacock,” went on Betty, showing the picture of a bird with plumed tail outspread, “is the white peacock of the moon. It lives in the moon, but when fairies want to come to play with li’l girls, they harness the peacock an’ drive down to earth in a silver chariot.” He was not more inquisitive than other boys, yet the mystery, the many uncanny tales told of the old house, fired him with a desire to know its secrets. Long before he was born a murder had left its stain there. The owners, suspected but unconvicted, moved away; and for years the house stared vacantly at passers. The coming of the Italians had only increased its bad name. Late travellers on the lonely road declared that shadowy forms and flickering lights passed the lower windows and down into the cavernous basement; yet no sounds ever came from behind the barred doors..

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Ebenezer Wopp became the grateful recipient of a quire of paper for notes. Miss Gordon was enabled to add to the decorations of her bureau a celluloid pictureframe on which were painted vivid blue and pink forget-me-nots. Mrs. Wopp reckoned “to git great comfort fer her corns an’ bungions” in a pair of soft house-shoes. Mrs. Wopp surmised from the dejected appearance of the young rancher, coupled with the smiles over the footlights which she had observed with rising wrath, that trouble was brewing, and she whispered audibly to herself, “A musician’s orl right on a pianner stool, but when it comes to gittin’ up in the mornin’ an’ choppin’ wood to bile the kettle give me a farmer.” Her cogitations became louder. “I s’pose he thinks cos he has a percession of carpital letters arter his name he can git anyone fer the arskin’. When he smiled so at our Miss Gordon I could of slain him with the jawrbone of an arss.” In her championship of Howard’s interests, Mrs. Wopp became an ardent villifier of the pianist and she administered an oral castigation with feminine vigor. “Never mind the floors, Billy. You’ve worked hard already; run off and have a good time.” “Whose Jethro?”.